We are deeply grateful to the 223 members of our arts community who took the time to participate in SEMAC’s recent Needs Assessment Survey. Your thoughtful responses and candid feedback are an important part of our ongoing dialogue with the arts community and will help inform SEMAC’s understanding of needs throughout our eleven-county region.
We are currently reviewing all of the valuable feedback you’ve provided and look forward to sharing how it will shape our services and programs in the coming months. Your insights will help us continue to grow and evolve in ways that best serve the arts community of southeastern Minnesota.
Thank you again for your participation and ongoing support. Together, we can continue building a vibrant arts community that serves all of southeastern Minnesota.
Since discovering ceramics in 2019 and apprenticing with Seven Bridges Pottery, Delia Bell of Lanesboro, MN has mostly focused on wheel-thrown stoneware. However, in the spring of 2023, a SEMAC Individual Artist grant launched her into unexplored territory: the world of slab-built vessels.
While wheel-throwing demands physical coordination and muscle memory to center and shape clay consistently, slab building presents different challenges. Delia spent the year mastering spatial planning, precise measuring, and structural understanding of slab pottery to ensure her vessels wouldn’t collapse or crack during drying and firing. Each piece required careful construction – considering how corners would meet, how weight would be distributed, and how function would marry with form.
The year-long project reshaped Delia’s understanding of functional pottery. As she mastered slab construction, she discovered how sharp angles and geometric shapes could bring fresh perspective to everyday vessels. Each challenge in construction led to new discoveries that would inform the design of her future work. “The angular nature of these pieces made me appreciate the simplicity of circular vessels in a new way,” she reflects.
The culminating exhibition at Lanesboro Arts in March 2024 displayed Bell’s artistic exploration. Each piece told a story of experimentation and growth, drawing strong community interest. “The grant gave me freedom to experiment and play with clay in ways that I otherwise might not have,” she shares, recognizing SEMAC’s role in advancing her creative development.
Now preparing for the Bluff Country Studio Art Tour (April 25-27, 2025), Bell has also applied for a Minnesota State Arts Board grant to explore combining poetry with clay, carrying forward the same spirit of growth and experimentation that SEMAC proudly supports.
We look forward to following Delia’s future work. To see more of her work and follow her future projects, find Delia on Instagram at @delialbell.
Samantha on the night of her February 2024 exhibit open – Photo courtesy of Lake City Area Arts
While most admire Minnesota’s lakes and rivers from above, artist Samantha Reiter-Johnson explores what hides beneath – an entire microscopic universe teeming with life. Through her project “Beyond the Surface: Biological Art of Minnesota,” Samantha brings this hidden world into focus, one illustration at a time.
“Art will always be a powerful tool for telling scientific stories and engaging the public,” Samantha explains. The project, funded by a SEMAC Individual Artist grant, allowed her to collect samples from waterways in every county in southeastern Minnesota, rendering microscopic observations into art illustrations that educate and inspire.
The project rippled through the community. Her February 2024 artist reception at Lake City Area Arts drew over 50 attendees, with many more viewing the exhibition during its run. Visitors were both amazed and occasionally terrified to learn about the organisms they’d been swimming alongside for years. Through her art, the community gained a deeper appreciation for protecting our natural waters and understanding the delicate balance of our local watersheds.
Samantha collects her samples from MN waterways.
For Samantha, the grant provided more than just financial support – it offered the freedom to fully immerse herself in research and exploration. “As an artist, it can sometimes be difficult to focus your efforts on a new and innovative project due to time and financial constraints,” she shares. The funding enabled her to invest in quality materials to preserve her work and dedicate time to perfecting her craft.
The success of this project has carved new channels of opportunity. Samantha has recently been awarded another SEMAC Individual Artist grant to continue exploring the intersection of science and art with an upcoming 2025 project focusing on bee vision and native plants at Quarry Hill Nature Center in Rochester.Building on her experience as a grantee, SEMAC welcomes Samantha’s insights to SEMAC’s Arts Advisory Panel as one of our newest panelists.
To follow Samantha’s future projects and explorations, find her on Instagram: @chlorocreations.
In a world where art galleries often come with “do not touch” signs, one artist is breaking boundaries and inviting visitors to engage with her creations in a whole new way. Lydia Hansen’s Sensory Sculpture Garden is reimagining how we interact with art, making it more accessible and engaging for everyone, including those with visual impairments or sensory-processing differences.
The heart of this project lies in its five-part soft sculpture series. Each piece is a highly textured crochet creation, meticulously crafted to engage not just the eyes but also the sense of touch. Lydia spent six months at the beginning of 2023 bringing these unique sculptures to life, experimenting with various textures, shapes, sizes, and even color arrangements to create distinct patterns within each piece.
What sets this exhibition apart is its invitation to touch. Visitors are encouraged to explore the sculptures with their hands, feeling the intricate textures and experiencing the art in a more immersive way. This approach opens up new possibilities for art appreciation, especially for those who might find traditional visual art experiences challenging or less engaging.
The project’s impact extends beyond the final exhibition. During the creation process, Lydia collaborated with individuals from the ArtAbilities program at PossAbilities in Rochester, MN, and conducted pop-up workshops near Wykoff, MN. These collaborations allowed people of all ages to contribute textures to one of the sculptures, providing early validation for the concept and generating excitement about the project.
Lydia’s efforts were supported by a SEMAC Individual Artist Grant that allowed for dedicated creative time and necessary materials. This financial freedom resulted in Lydia’s first solo exhibition and has since opened doors to other opportunities, including an upcoming exhibition at Pump House Arts in La Crosse, WI, September 11 through November 2, 2024.
Get up close and personal with a Lydia Hansen sensory sculpture
The Sensory Sculpture Garden has struck a chord with many visitors. One particularly poignant comment captured the essence of the project: “This scratches the itch in my neurodivergent brain – there should be more art like this!!” Another visitor expressed their engagement by saying, “I just want to hug it! Every time I look at it, there’s something new I need to feel.” These reactions underscore the project’s success in creating art that resonates on a deeper, more personal level with its audience.
The sculpture garden continues to grow and evolve. Lydia has plans to add new sculptures, exploring additional sensory ideas. The project has taken on a life of its own as a traveling, rotating art experience, with pop-up exhibitions showcasing various combinations of sculptures.
In addition to the ongoing development of the Sensory Sculpture Garden, the artist has embarked on a new project: The Lost Creek Fungi Hunt. This yearlong public art installation near Chatfield, MN, features 15 crochet mushrooms based on fungi native to Southeast Minnesota, placed along a trail to encourage exploration and observation.
As these projects continue to develop and reach new audiences, they serve as a testament to the power of art that engages multiple senses and invites active participation. The Sensory Sculpture Garden and its offshoots are not just exhibitions; they’re experiences that challenge our perceptions of art and accessibility, inviting us all to see – and feel – the world in new ways.
In the world of theater, innovation often emerges from the fusion of traditional art forms with cutting-edge technology. This was precisely the case when Rochester-based artist Kevin Dobbe used a SEMAC Individual Artist Grant for his work on Hedwig and the Angry Inch at the Rochester Civic Theatre.
The project’s goal was ambitious: to integrate computer animations seamlessly into the musical, creating a visual spectacle that would both serve the story and stand alone as a work of art. Over six months, Kevin dove deep into the world of 3D animation, pushing the boundaries of what’s possible in theatrical set design.
The result? A groundbreaking, reimagined rock musical production that ran from February 8th to 25th, 2024, featuring a blend of Southeastern Minnesota’s regional talent and state-of-the-art technology. The animated set materials brought new life to the already powerful narrative of Hedwig, an East German transgender singer, and enhanced the exploration of the gender identity, love, and self-discovery themes that lie at the heart of the show.
The project wasn’t without its challenges. As Kevin noted and as our readers can certainly relate, working with contemporary technology always presents obstacles. However, these hurdles ultimately led to artistic growth and a deeply rewarding outcome.
The impact of this project extended far beyond the stage. After several performances, panel discussions were held, opening up conversations about LGBTQ dynamics and broader societal issues. The discussions sparked by the production provided an opportunity for important dialogues within the community.
And the ripple effects of this grant continue to be felt. Inspired by the success of this project, Kevin is now embarking on an even more ambitious venture: an original opera titled Tempus Fugit. This new work will build on the skills and SEMAC-funded technology used in Hedwig, incorporating 3D animated characters as synchronized “actor/singers.” From sold-out audiences to community conversations, from technological innovation to artistic inspiration, Kevin’s initiative demonstrated the impact that can be achieved when we invest in creative visions. It’s a testament to the power of art to push boundaries, spark dialogue, and pave the way for future innovations.
We’re proud to have played a part in bringing Kevin’s creative vision to life and look forward to seeingwhere these new skills and technology will take him next.
Sydney Swanson, a dancer and choreographer based in Rochester, MN, recently completed an ambitious new dance film project titled “Elemental Body” with funding from a SEMAC grant. This 12-minute site-specific piece allowed Sydney to build upon her previous experience in dance film while pushing her artistic boundaries.
As the sole performer, Sydney choreographed, directed, and edited “Elemental Body” with the goal of exploring West African spiritual practices centered around the elements of earth, water, fire, nature, and mineral. While much of her prior dance films utilized improvisational work captured on a phone camera, this project required much more extensive planning and coordination.
Filming took place at different sites within the beautiful Quarry Hill Park in Rochester, with Sydney’s younger brother, Bradey Swanson, acting as videographer. Despite challenges like chilly weather, the sibling team’s dedication paid off, including her brother donning waders to capture footage in a stream. Sydney also hired Joni Griffith, a Minneapolis-based singer, multi-instrumentalist, movement artist and sound designer to bring her full vision to life.
The SEMAC grant funding proved invaluable, providing the time, space and resources to create “Elemental Body.” This is Sydney’s second SEMAC grant for a dance film project, which she credits with furthering her skills, artistic career, and recently helping her secure a grant from the Minnesota State Arts Board.
Sharing the film with audiences has been both a vulnerable and exciting experience for the choreographer. “One of my favorite parts of the process is hearing feedback from audience members after they view my film. It’s both nerve-wracking and thrilling to share art with an audience and hear how they related to it or didn’t. I find I learn more about the subtleties and synchronicities of my work when I hear what others saw in it…the observations come from this really human experience place,” Swanson remarks. Audience feedback revealed how they related to the “micro-macro, earth/human bodies, nature via layers/time/elements/connection” depicted in the film’s outdoor settings. Comments praised the “fresh and new” perspective on familiar nature paths and the desire to “dance for her and with her!”
Photo by TLP Photography
Thanks to her Minnesota State Arts Board grant, Sydney will showcase “Elemental Body” in a series of six dance film screening events around southeastern Minnesota from September 2024 through February 2025. The screenings will feature other Minnesota-based dance artists alongside her work at venues like Rochester’s Pop’s Art Theater and the Winona Art Center.
For over three decades, Project FINE has been a beacon of hope and support for refugees and immigrants in Winona County and the surrounding areas of Minnesota. Founded in 1990, this nonprofit organization has dedicated itself to helping newcomers integrate into the community, providing essential services such as foreign language interpretation, education opportunities, and empowerment initiatives.
With a small but dedicated staff, volunteers, interpreters, and extensive collaboration with over 70 local service providers, Project FINE has been instrumental in breaking down cultural and language barriers that often prevent newcomers from accessing critical resources, securing employment, and building a new life in the community.
One of Project FINE’s most impactful initiatives is the Cultural Arts & Ancestry project, which aims to empower refugees and immigrants to share their artistic skills and heritage with the broader community. Funded by the Southeastern Minnesota Arts Council (SEMAC), this program promotes cultural learning and arts experiences while engaging diverse artists.
In 2023, Project FINE’s Cultural Arts and Ancestry Project focused on three fine-art classes: Puerto Rican Bomba Dance, Mexican Corn Husk Dolls, and the Hmong Story Cloth.
Bomba y Plena, a dance style from Puerto Rico, was led by instructor Chalymar Martinez, who moved from Puerto Rico to Winona in 2018. Martinez not only taught these workshops for the community but also formed a small dance troupe that rehearsed and performed at the 2023 capstone event. The troupe’s enthusiasm and dedication were remarkable, and they have continued to rehearse and perform, taking their talents to local events and elementary schools to share their heritage.
Project FINE has been offering similar arts programming since 2012, with over 600 participants in workshops and more than 2,200 attendees at their events. The organization’s commitment to fostering cultural connections has remained steadfast, and funding from SEMAC has been instrumental in allowing them to continue their work.
Looking ahead, Project FINE has secured another grant from the Minnesota State Arts Board to provide similar workshops and cultural experiences. The organization remains committed to its mission of fostering cultural connections and promoting artistic expression among diverse communities, ensuring that newcomers have a platform to share their talents and traditions.
To learn more about Project FINE’s services and initiatives, visit their website, follow them on Facebook, or reach out to info@ProjectFINE.org.
The recent production of Winona-based playwright Kathleen Kenney Peterson’s “Return Engagement” at Theatre du Mississippi was an incredibly rewarding and collaborative experience for all involved. Return Engagement tells a deeply personal story about an older gay actor’s struggle with Multiple Sclerosis and his need to move back to his small hometown to receive help from his estranged family. After eight years in development, seeing the play come to life on stage exceeded Peterson’s expectations.
Michael Fitzpatrick of the Great River Shakespeare Festival anchored the cast and lent his generous spirit. His involvement drew enthusiastic crowds, but also established cross-generational bonds that continue today.
The process was not without challenges. The team navigated COVID protocols during rehearsals and worked hard to fine-tune the script. The result was a testament to what can be created by a dedicated cast and crew working together. Experiencing a solo writing project being transformed into a vibrant, fully embodied performance was a humbling and energizing experience for Peterson.
Beyond achieving her artistic goals, the most moving part of the project for Peterson was realizing how the play’s themes resonated universally. Chronic illness, caregiving, aging, and reconciliation are issues many people face. “After every single performance, we had audience members walk out in tears…so many folks shared stories of their own struggles with exactly the kind of issues and situations in the play,” Peterson remarked. “We also had some amazing comments in surveys about being gay in a small town, losing spouses to chronic illness, and the huge challenges with caregiving.” It was a powerful affirmation for Peterson of why she writes – to reflect shared struggles.
This experience has fueled Peterson’s creative momentum. Energized by the cast’s feedback, she is expanding one of her previously published novels into a new play. Return Engagement also increased her visibility as a regional playwright. But most rewarding for her was crafting art that moved the community and donating some of the ticket revenue to Elder Network in Winona. “When art opens eyes, hearts, and conversations – that is everything.”
Congratulations to Kathleen Kenney Peterson on her wonderful, impactful achievement. We look forward to seeing more from her in the future!
Rochester artist Maggie Panetta recently completed a colorful mural along the busy 4th Street bike path in Rochester, Minnesota, thanks to an Individual Artist Grant from SEMAC. Entitled “Zumbro River Underpass Mural”, the mural brightens a previously dim concrete underpass between 4th and 3rd Streets.
Maggie designed the mural to incorporate public art into a highly trafficked area of the city that connects many downtown businesses and where it can be appreciated by pedestrians, cyclists, and drivers. The vibrant, abstract foliage and organic shapes pop against the concrete background.
One of Maggie’s objectives in the mural project’s creation was bringing the community together. Maggie held public painting sessions during which she invited people from all walks of life to join in, including Mayo Clinic patients and visitors, seniors, youth, and passing cyclists. A highlight was the participation of a painter who was in Rochester rehabilitating from a hand and arm injury. He used Maggie’s mural project as an enriching opportunity to incorporate art into his therapy by volunteering to help paint several sections.
The public dedication on October 28, 2023, at the Rochester Art Center commemorated the mural’s completion. For years to come, this vibrant new public art mural will greet travelers along this busy downtown corridor, brightening both the physical space and the spirits of passersby’s. All thanks to Maggie’s creative vision and funding from SEMAC.
The culminating exhibition at Lanesboro Arts in March 2024 displayed Bell’s artistic exploration. Each piece told a story of experimentation and growth, drawing strong community interest. “The grant gave me freedom to experiment and play with clay in ways that I otherwise might not have,” she shares, recognizing SEMAC’s role in advancing her creative development.
