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From Stage to Screen: How Kevin Dobbe’s Individual Artist Grant Transformed “Hedwig and the Angry Inch”

A performer dressed as Hedwig from "Hedwig and the Angry Inch" stands on stage with arms outstretched. They wear an elaborate green costume with ruffles and a large bow. Their face is dramatically made up with heavy eye makeup. The background shows a starry night sky, likely a digital projection. The lighting bathes the scene in a green glow, creating a theatrical and otherworldly atmosphere.

In the world of theater, innovation often emerges from the fusion of traditional art forms with cutting-edge technology. This was precisely the case when Rochester-based artist Kevin Dobbe used a SEMAC Individual Artist Grant for his work on Hedwig and the Angry Inch at the Rochester Civic Theatre.

The project’s goal was ambitious: to integrate computer animations seamlessly into the musical, creating a visual spectacle that would both serve the story and stand alone as a work of art. Over six months, Kevin dove deep into the world of 3D animation, pushing the boundaries of what’s possible in theatrical set design.

The result? A groundbreaking, reimagined rock musical production that ran from February 8th to 25th, 2024, featuring a blend of Southeastern Minnesota’s regional talent and state-of-the-art technology. The animated set materials brought new life to the already powerful narrative of Hedwig, an East German transgender singer, and enhanced the exploration of the gender identity, love, and self-discovery themes that lie at the heart of the show.

A stage production of "Hedwig and the Angry Inch" with performers and musicians on stage. A large American flag is projected on a screen behind them. The lead performer, likely Hedwig, stands to the right wearing a flamboyant white costume with fringe and fur trim, and red boots. Band members in dark clothing are positioned around instruments including a keyboard and drums. The foreground shows old TV sets decorated with small American flags. The setting has brick walls and theatrical lighting.

The project wasn’t without its challenges. As Kevin noted and as our readers can certainly relate, working with contemporary technology always presents obstacles. However, these hurdles ultimately led to artistic growth and a deeply rewarding outcome.

The impact of this project extended far beyond the stage. After several performances, panel discussions were held, opening up conversations about LGBTQ dynamics and broader societal issues. The discussions sparked by the production provided an opportunity for important dialogues within the community.

And the ripple effects of this grant continue to be felt. Inspired by the success of this project, Kevin is now embarking on an even more ambitious venture: an original opera titled Tempus Fugit. This new work will build on the skills and SEMAC-funded technology used in Hedwig, incorporating 3D animated characters as synchronized “actor/singers.”
From sold-out audiences to community conversations, from technological innovation to artistic inspiration, Kevin’s initiative demonstrated the impact that can be achieved when we invest in creative visions. It’s a testament to the power of art to push boundaries, spark dialogue, and pave the way for future innovations.

We’re proud to have played a part in bringing Kevin’s creative vision to life and look forward to seeingwhere these new skills and technology will take him next.

 

 

A stage set for "Hedwig and the Angry Inch" musical. On the left, a large blue screen displays a sketch of a face with prominent eyes. Musical instruments are set up in front of it. To the right, two actors stand on a small stage made to look like a trailer or mobile home. One actor, likely portraying Hedwig, wears a blonde wig and sparkly dress. The other has a punk-style mohawk. Props include a guitar and a lawn chair. The backdrop shows exposed brick walls, and theatrical lighting bathes the scene in blue.

Elemental Body: A Dance Film Journey

Sydney Swanson poses in an expressive dance pose in a sunlit forest.
Photo by Dahli Durley

Sydney Swanson, a dancer and choreographer based in Rochester, MN, recently completed an ambitious new dance film project titled “Elemental Body” with funding from a SEMAC grant. This 12-minute site-specific piece allowed Sydney to build upon her previous experience in dance film while pushing her artistic boundaries.

As the sole performer, Sydney choreographed, directed, and edited “Elemental Body” with the goal of exploring West African spiritual practices centered around the elements of earth, water, fire, nature, and mineral. While much of her prior dance films utilized improvisational work captured on a phone camera, this project required much more extensive planning and coordination.

Filming took place at different sites within the beautiful Quarry Hill Park in Rochester, with Sydney’s younger brother, Bradey Swanson, acting as videographer. Despite challenges like chilly weather, the sibling team’s dedication paid off, including her brother donning waders to capture footage in a stream. Sydney also hired Joni Griffith, a Minneapolis-based singer, multi-instrumentalist, movement artist and sound designer to bring her full vision to life.

The SEMAC grant funding proved invaluable, providing the time, space and resources to create “Elemental Body.” This is Sydney’s second SEMAC grant for a dance film project, which she credits with furthering her skills, artistic career, and recently helping her secure a grant from the Minnesota State Arts Board.  

Sharing the film with audiences has been both a vulnerable and exciting experience for the choreographer. “One of my favorite parts of the process is hearing feedback from audience members after they view my film. It’s both nerve-wracking and thrilling to share art with an audience and hear how they related to it or didn’t. I find I learn more about the subtleties and synchronicities of my work when I hear what others saw in it…the observations come from this really human experience place,” Swanson remarks. Audience feedback revealed how they related to the “micro-macro, earth/human bodies, nature via layers/time/elements/connection” depicted in the film’s outdoor settings. Comments praised the “fresh and new” perspective on familiar nature paths and the desire to “dance for her and with her!”

Sydney Swanson presents her film "Elemental Body" in front of an audience with a projector screen behind her.
Photo by TLP Photography

Thanks to her Minnesota State Arts Board grant, Sydney will showcase “Elemental Body” in a series of six dance film screening events around southeastern Minnesota from September 2024 through February 2025. The screenings will feature other Minnesota-based dance artists alongside her work at venues like Rochester’s Pop’s Art Theater and the Winona Art Center.

For more information on Sydney and her future screenings and initiatives, visit her website www.insiteartsandhealing.com, or find her on Facebook at Insite Arts & Healing.